

Member of SDC
| HOLD THESE TRUTHS by Jeanne Sakata | Epic Theatre Ensemble |
| ADA (opera) by Kim Sherman & Margaret Vandenburg | Center for Contemporary Opera (workshop) |
| JUST LIKE I PICTURED IT (ensemble devised) | Foundry Theatre/Queens Museum |
| 100 PLANES by Lila Rose Kaplan (Studio Retreat) | Lark Play Development Center |
| NECTAR by Katie Baldwin Eng (workshop) | New Georges |
| ADA by Kim Sherman and Margaret (workshop) | Ensemble Studio Theatre First Light Fest |
| THE BEGINNING | 52nd Street Project – Playmaking 2011 |
| BETHANY by Laura Marks (workshop) | Naked Angels |
| THE COURIER by Kate Fodor (Benefit) | Playwrights Horizons |
| CHARONVILLE by Nikolai Khalezin (workshop) | Belarus Free Theatre (@ the Lark) |
| DAWN’S LIGHT by Jeanne Sakata | NYTW/Dartmouth |
|
HARRASSMENT OF IRIS MALLOY by Zak Berkman (workshop with David Strathairn and Maggie Siff) |
Epic Theatre Ensemble & CSC |
| DAWN’S LIGHT by Jeanne Sakata (workshop) | Lark Theatre/Epic Theatre Ensemble |
| COULDN’T SAY by Christopher Wall** | Midtown International Theatre Festival |
|
MORGAN STREET
by
Jeremy Richards, Anika Noni Rose and Eugene Gwodz |
Studio Tisch (musical workshop) |
| NOWHERE IN AMERICA by Bathsheba Doran | Keen Company/Keen Teens – Kirk Theatre |
| LIKE LOVE by Lewis Flinn & Barry Kaplan | NYMF – The Barrow Group Theatre |
| 365 Days/365 Plays by Suzan-Lori Parks | The Women’s Project |
| 365 Days/365 Plays by Suzan-Lori Parks | Epic Theatre Center |
| NOCTURNAL COMMISSIONS | New Dramatists Fundraiser |
| SPLIT WIDE OPEN by Christina Gorman | Summer Play Festival (SPF) |
| ONE PLUM SQUARE-Radio-Opera by Amy Kohn | WNYC, “Spinning on Air” |
| ANATOMY 1968 by Karen Hartman | Summer Play Festival (SPF) |
| MERMAID by Ellen McLaughlin | Blue Heron Arts Center & 59 E 59th |
| CLOSET WIDE OPE’ by Shawn Sturnick | Creative Place Theater |
| JAZZ DESERT by Rebecca Hart (musical) | Culture Project |
| SCATTERHEAD by Elizabeth Anderson | Manhattan Theatre Source |
| WEEPING WOMAN by Amy Wheeler | Drama League (New Directors/New Works) |
| THE CASUAL SPIES | HERE |
| GHETTO PUNCH by Tony Sparks | Dixon Place |
| RESURRECTION by Anita Dashiell | A-1 Collaborators |
| WHY WE HAVE A BODY by Claire Chaffee | NYU Directing Lab |
| TRIFLES by Susan Glaspell | NYU Directing Lab |
| ** winner of Best Director Award |
| HOLD THESE TRUTHS by Jeanne Sakata | ACT (Seattle, WA) |
| DAIRYLAND by Heidi Armbruster (workshop) | Chautauqua Theatre Company |
| DEAR ELIZABETH by Sarah Ruhl | People’s Light & Theatre Company |
| HOLD THESE TRUTHS by Jeanne Sakata | Playmakers Repertory Theatre (NC) |
| CAT ON A HOT TIN ROOF | Chautauqua Theatre |
| HOLD THESE TRUTHS by Jeanne Sakata | Honolulu Theatre for Youth |
| HOLD THESE TRUTHS by Jeanne Sakata | Chautauqua Theatre |
| PENELOPE by Ellen McLaughlin | Playmakers Repertory |
| MY OHIO (musical by Dana Yeaton and Andy Mitton) | Vermont Stage Company |
| EYEPIECE by Rinde Eckert | Iowa City, IA |
| MY OHIO (musical by Dana Yeaton and Andy Mitton) | Vermont Stage Company |
| INTERPRETING WILLIAM by James Still | Indiana Repertory Theatre |
| LOOKING FOR THE PONY by Andrea Lepcio | Synchronicity Theatre, Atlanta, GA |
| PENELOPE by Ellen McLaughlin | Gallatin/Princeton |
| PENELOPE by Ellen McLaughlin (commission/workshop) | The Getty Center, Los Angeles |
| AH, WILDERNESS! by Eugene O’Neill | Chautauqua Theatre |
| TIMBERLAND by Austin Bunn (Workshop) | New Harmony Project, Indiana |
| TWELFTH NIGHT by William Shakespeare | Seaside Shakespeare (Nantucket) |
| LIKENESS by David Caudle (workshop) | The New Harmony Project |
| LIKE A COW OR AN ELEPHANT by Kara Corthron | Voice & Vision Workshop |
|
AS YOU LIKE IT by William Shakespeare |
Milwaukee Shakespeare Company |
|
STOP KISS by Diana Son |
Riverside Theatre, Iowa |
FILM/TELEVISION
| SIX DEGREES (ABC) | Director Shadow (Tucker Gates) |
|
CONTEMPLATING EMILY by Sarah Shively |
Independent Short
Film |
EDUCATIONAL
| TONGUE OF A BIRD by Ellen McLaughlin | NYU MFA Acting Program |
| END OF THE ROAD by Robert Kerr | Juilliard School – 4th year production |
| HOT L BALTIMORE by Lanford Wilson | NYU Graduate Acting Program |
| A MONTH IN THE COUNTRY by Brian Friel | Marymount Manhattan College |
| THE SEAGULL by Anton Chekhov | Yale School of Drama |
|
BALM IN GILEAD by Lanford Wilson |
Yale School of Drama |
|
STOP KISS by Diana Son |
NYU MFA Acting Program |
|
AH, WILDERNESS! by Eugene O'Neill |
NYU MFA Acting Program |
|
TOP GIRLS |
NYU MFA Acting Program |
|
GUM by Karen Hartman |
NYU MFA Acting Program |
|
MACHINAL by Sophie Treadwell |
Bard College |
|
ALOHA SAY THE PRETTY GIRLS by Naomi Iizuka |
University of Illinois Champaign-Urbana |
| AUGUST SNOW by Reynolds Price | The Actors Center |
| TOP GIRLS | The Actors Center |
| BUS STOP by William Inge | The Actors Center |
| THE CHALK GARDEN by Enid Bagnold | Stella Adler Studios (NYU) |
| THE STRONGER by Strindberg | Stella Adler Studios (NYU) |
| MY CALIFORNIA by Lisa D’Amour | |
| CALM DOWN, MOTHER by Megan Terry | |
|
FEN by Caryl Churchill |
Stella Adler Conservatory |
|
BETWEEN DAYLIGHT and BOONVILLE by Matt Williams |
Stella Adler Studios (NYU) |
|
DREAM OF A COMMON LANGUAGE by Heather Macdonald |
Stella Adler Studios (NYU) |
|
AGNES OF GOD by John Pielmeier |
Stella Adler Conservatory |
|
THE MAIDS by Jean Genet |
Stella Adler Conservatory |
|
TOP GIRLS |
Stella Adler Studios (NYU) |
|
BIG LOVE by Charles Mee |
Willamette University |
|
THE GLORY OF LIVING by Rebecca Gilman |
Cornell College |
|
CLOUD NINE by Caryl Churchill |
Long Island University, CW Post |
|
DANCING AT LUGHNASA by Brian Friel |
Long Island University, CW Post |
| JULIUS CAESAR by William Shakespeare | University of Evansville |
|
AH, WILDERNESS! by Eugene O'Neill |
University of Evansville, IN |
|
HAPPY DONUT/MOTHER (PSRC HS students) (Produced by the Roundabout and MCC) |
Public School Repertory Company, NYC |
|
FLIGHT 243 (musical workshop) |
NYU MFA Musical Theater Writing Program |
|
LOVE ACCORDING to LUC (musical workshop) |
NYU MFA Musical Theatre Writing Program |
|
THE BIG ONE (musical workshop) |
NYU MFA Musical Theatre Writing Program |
|
FRAMING ELEANOR (musical wkshp) |
NYU MFA Musical Theater Writing Program |
|
1 PLUM SQUARE (musical wkshp) |
NYU MFA Musical Theater Writing Program |
| Lark Play Development Center | Programs upon Request |
Director of Offsite Programs 2010-present |
| Readings and workshops | List upon Request | Director 1997-2013 |
| CAMP ADDIS |
Arts Based Summer Camp in Ethiopia |
Director |
|
CAN YOU HEAR ME NOW (Children of AHope Orphanage) |
National Theatre of Ethiopia | Director /Producer |
|
HANNAH and MARTIN (With David Strathairn) |
Epic Theatre Center | Associate Producer |
| MOTEL BLUES II | Apartment 929 Theatre Co | Director/Producer of new play reading series |
|
THE PERSIANS |
National Actors Theater |
Associate Director |
|
LYSISTRATA
|
Chautauqua Theatre |
Director of Reading |
|
LYSISTRATA |
Brooklyn Academy of Music |
Co-Director of Reading |
| THAW (Theatres Against War) | New York, NY | Co-Founder |
|
HELEN
|
The Public Theater |
Assistant to Playwright |
|
TONGUE OF A BIRD
|
The Public Theater |
Assistant to Playwright |
MEMBER AFFILIATIONS
| Current: Board Member of the League of Professional Theatre Women (LPTW) – VP of Membership |
|
Past: Board Member of the Theatre World Awards (TWA) |
HONORS AND AWARDS
|
EST/Sloan Grant – 2007/2008/2010 – for direction/dramaturgy
of Opera (Ada)
|
|
Women’s Project Director’s Lab Leader (2006-2008) |
|
Women’s Project Director’s Lab (2004-2006) |
| Company Member of Obie Award Winning Epic Theatre Center |
|
Drama League Fellow - New Directors/New Works |
|
Fox Fellow Grant Recipient for Study (The Actors Center) |
|
3 Year Full Tuition Scholarship (New York University Graduate Acting Program) |
|
1 Year Full Tuition Scholarship (New York University Graduate Directing Lab) |
| American College Theatre Festival Citation of Excellence for The Glory of Living |
| American College Theatre Festival Citation of Excellence for Cloud 9 |
EDUCATIONAL
|
NEW YORK UNIVERSITY |
Graduate Directing Lab |
|
NEW YORK UNIVERSITY |
Graduate Acting Program (MFA Acting) |
|
UNIVERSITY OF EVANSVILLE |
Undergraduate (BFA Theatre) |
|
Lisa also has extensive
experience in acting, coaching and teaching.
|
Click HERE for a printable copy of resume.
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